Excerpt from 104th Official Contact Report

The following unofficial and unauthorized translation by Larry Driscoll, USA, December 14, 2013,
is an excerpt from 104th Official Contact Report, Wednesday, March 01, 1978,
from Pleiadian-Plejaren Contact Reports - Block 3, pages 131-133.

German Original	English Translation
Auszüge aus dem 104. offiziellen Kontaktgespräch vom 1. März 1978	Excerpts from the 104th official contact conversation from March 1, 1978
Billy: ...	Billy: ... But tell me Quetzal, can you also penetrate with this old box into other dimensions?
Quetzal: 82. ...	Quetzal: 82. Your question is not logical; what do you want to ask?
Billy: ...	Billy: I have to wonder, whether you can also perform travels with Menara's ship into the past and into the future?
Quetzal: 83. ...	Quetzal: 83. It is possible, but why do you ask?
84. ...	84. Whenever you ask such questions, then a certain purpose is behind them.
85. ...	85. Do you want to ask me, whether I am to undertake a travel with you into the future or into the past?
Billy: ...	Billy: Exactly, my son.
Quetzal: 86. ...	Quetzal: 86. Sooo – … for that you reason you have taken with you this large apparatus for photographing?
Billy: ...	Billy: Exactly, my son, but this is not such a complicated thing, as you assume, but quite simply a damn normal camera.
Quetzal: 87. ...	Quetzal: 87. That’s the same thing.
88. ...	88. However — where then do you want to go?
Billy: ...	Billy: To Frisco, my son, to San Francisco, but into the future. Namely to that time when the city is destroyed by the earthquake. I would be interested in how everything looks, when the first severe quake is over, and exactly this I want then also to photograph. This will surely be possible to do, won’t it? And surely it doesn’t matter, if I then also publish these photographs, if they come out well, is that okay?
Quetzal: 89. ...	Quetzal: 89. Surely there would be nothing to object against this, for thereby very many people would then leave San Francisco and settle elsewhere before the catastrophe arises.
90. ...	90. This would save very many human lives.
91. ...	91. Certainly, I do agree with this, but it requires several hours if I should take you there.
92. ...	92. This old ship in fact, and presently I have no other ship at my disposal, needs a longer time for preparation, if accordingly you are to be back here again in normal time at first dawn of the morning.
Billy: ...	Billy: This is not too difficult, because you can bring me back here again to roughly the same time, as when you had taken me out from the bed.
Quetzal: 93. ...	Quetzal: 93. This would be possible.
Billy: ...	Billy: Good, in fact, then I would still be able to sleep a little. So let us go.
Quetzal: 94. ...	Quetzal: 94. As you wish, but in the meantime we cannot have any conversation.
Billy: ...	Billy: It makes no difference to me, let’s just go; I am strained like a string before breaking.
Quetzal: 95. ...	Quetzal: 95. So be it then.
96. ...	96. You truthfully are tireless.
...	…
Quetzal: 97. ...	Quetzal: 97. Here we are about 300 kilometers away from San Francisco.
98. ...	98. Down there, you see the fissures of the earth as they already exist from long ago.
99. ...	99. What you do see are the extentions of Andreas Fault which have risen up to the surface of the Earth.
Billy: ...	Billy: Can I photograph them?
Quetzal: 100. ...	Quetzal: 100. There is nothing to object against this, but, you could also capture this scene on your film in the present time, the year 1978, because the changes are only extremely small, and not likely recognizable in the photographs.
Billy: ...	Billy: Nevertheless, I would like to photograph them.
Quetzal: 101. ...	Quetzal: 101. Then do it.
102. ...	102. Come here, look – here this floor hatch, so as you see, after shifting the plate aside, there is freed this very fine pointed sight-plate, through which you can look outside.
103. ...	103. Through this you can photograph.
Billy: ...	Billy: That's all right, Quetzal, but do you know that when I take photographs from inside of the ship, they are always afterwards very fuzzy and blurred. Is there then no other way, you know, that I can perhaps, walk outside?
Quetzal: 104. ...	Quetzal: 104. You have your best overall view from above, here from out of the ship.
105. ...	105. On the other hand, this time you will get sharp and clear images on your film, because the propulsion of this ship will not harm your film by radiations.
106. ...	106. You only have to then pay attention that you do not photograph directly down through the area of the propulsion, because the very strong irradiation of light could harm your film.
107. ...	107. The smallest damage of the film could be that the finished images would appear to be lightened by a light source.
108. ...	108. In the worst case an overexposure would happen.
Billy: ...	Billy: Is this the light, which reaches there so far downward and looks like a search light?
Quetzal: 109. ...	Quetzal: 109. That’s correct. So then take care, that these masses of light do not reach into the area of your photograph limits.
Billy: ...	Billy: I will try it.
...	…
Quetzal: 110. ...	Quetzal: 110. Are you at the end of your work?
Billy: ...	Billy: I am, my son. Perhaps I still have not been careful enough regarding the light. Somehow it appeared to me, as though I would always have seen a shimmering of light in the lens.
Quetzal: 111. ...	Quetzal: 111. So try it once more.
Billy: ...	Billy: No, let us go to Frisco first, because I have only one film with me, and besides it is only a standard negative-film.
Quetzal: 112. ...	Quetzal: 112. As you wish.
113. ...	113. Walk away from the hatch.
114. ...	114. So, – good, it...
Billy: ...	Billy: Man, this is indeed crazy, just look, all is smoking there in front.
Quetzal: 115. ...	Quetzal: 115. There lies San Francisco.
116. ...	116. So then, we are here, now take your photographs.
Billy: ...	Billy: Man alive, Quetzal, this looks much worse, than I have imagined. Yet listen now: somewhere must be a building, which should be known as the America-Building or similar; so get me there. This I want to photograph above all, so that no one can come and claim that I would have taken photographs of the last great quake at the turn of the century.
Quetzal: 117. ...	Quetzal: 117. Now, we are here, my friend, but this time pay more attention to the light beam.
Billy: ...	Billy: I will try for that.
...	…
Billy: ...	Billy: Thanks Quetzal, this suffices, rush still back a little ... Good, okay — moment. ...Good, now fly still a bit to the right side there — Good, okay, thanks. Man alive, this is gigantic, the horrifying destruction. ... Thanks, Quetzal, I have again several photographs. This should likely be enough. So please do fly back again towards the strange bulges of the Andreas Fault.
Quetzal: 118. ...	Quetzal: 118. As you wish, but bear in mind, that we are already slowly exceeding our time and I have to make preparations for the flight back. .
Billy: ...	Billy: All right, Quetzal, you can start with them at once, when we are at the place. I want to see everything one more. But how so quickly a half hour passes in the future.
Quetzal: 119. ...	Quetzal: 119. The time is the same; it only seems very much shorter to you because of your attention to the events which you have seen.
Billy: ...	Billy: Of course, this I know. Ah, indeed, we already are here. Now just do your work.
...	…
Quetzal: 120. ...	Quetzal: 120. Well, my friend, here we are again.
121. ...	121. We are here by around 30 minutes earlier, than when you had left your warm bed.

Nr. 9, September 1977 issue of the GEO Magazine (left side of two page spread) here.

Nr. 9, September 1977 issue of the GEO Magazine (right side of two page spread) here.

To view the 'best' photograph that Larry Driscoll has come upon that aligns to the left page of the GEO magazine painting visit here.

To obtain a copy of Plejadisch-Plejarische Kontaktberichte - Block 3 visit FIGU Shop.

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Excerpt from 104th Official Contact Report

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